Performanaces in the original Globe. |
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The Globe theatre that Shakespeare knew was a noisy, smelly place that could be crammed with
around 3000 people. It would have been an atmosphere so totally removed from modern theatres
as to make it almost unrecognisable as the home of so many of Shakespeare's greatest works.
It was however the kind of theatre that Shakespeare knew best, and it was with such a place
in mind that he penned the majority of his plays.
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The theatre was divided up into several distinct sections, and the types of people to be found
in each part would have been quite different. The Globe catered to everyone; common people, merchants,
professionals, soldiers, and even the aristocracy. Shakespeare in his turn had to do the same,
creating plays that would appeal to every strata of society.
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The cheapest portion of the theatre was the yard that abbuts onto the stage on three sides. It would
have cost 1 penny for a place in the yard, and as such was affordable to almost everyone. The people
who paid for such a place would tend to be the poorest playgoers, such as the city's common labourers.
They were known as Groundlings and 1000 of them could be squeezed into the Globe's yard. They
could usually expect to share that space with members of various professions such as theives and
prostitutes.
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The three galleries between them held another 2000 attendies. Unlike the yard, they, like the
stage were covered against the elements. They also had the added luxery of seating. For these
benefits you would have had to pay 2 pennies, and could hire a cushion for a third. Although all
three galleries cost the same to sit in, the middle gallery was considered the highest status.
The lower gallery was still uncomfortably close to the yard, while the upper gallery had a
reputation as a meeting place for unsavoury business deals, and working ground for more of the
local prostitutes.
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The most expensive seats in the house were those known as the Lords Rooms. They were located
immediatedly above and behind the stage in the area also used by the musicians. Although such a
location may not seem ideal to the modern day theatregoer, these seats had a number of key
advantages to the rich of the day. First, they were well removed from the masses in the rest of
the theatre. Second, they were themselves on display, so they could show off the latest fashions,
and even the fact that they were rich enough to sit there. Third, although they could not see
the play very well, they could hear it. This last point is actually extremely significant,
since it was to hear plays that Elizabethans went to the theatre; there are many references
of people going to hear a play rather than going to see one in the literature of the time. It is from
this concept that the modern word audience is derived. Places in the Lords Rooms would have
cost 6 pennies each.
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The actors (always all male) would have not have worn costumes as such, instead they tended to wear
clothing cast off by the aristocracy and sold on by their servants. There also would have been little
in the way of props. The female roles were acted by young boys before their voices broke, as women
were forbidden by law to act on a public stage.
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Being an open-air theatre, the Globe could only be used during the Summer. In the Winter, Shakespeare and
his company performed in an indoor theatre north of the Thames. A number of his plays therefore would have
been first performed there and only later moved to the Globe.
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Shakespeare himself was an actor as well as playwright and probably taylored a few of his roles to suit
his own stage skills. It was however neither his writing, nor acting skills that were the direct source
of his income, for actors and playwrights were both poorly paid positions to hold. Instead it was because
he was a good businessman and held a share in the company itself. Although without his writing skills
they would not have done nearly so well.
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